Graphic & Video Designing

Creative That Converts

A strong offer behind weak creative underperforms every time, and it does so invisibly. The campaign gets blamed, the targeting gets blamed, the budget gets raised — when the actual problem is that the image stopped nobody, and the video lost its viewer in the first two seconds. Creative is the variable with the widest performance range in paid advertising, and it is the one most local businesses treat as decoration.

We approach design as a marketing input rather than an aesthetic exercise. That means every asset has a job it is measured against: stop the scroll, explain the offer, make the phone number obvious, make an unfamiliar business look established. Combining design, storytelling and marketing strategy is what separates work that looks good in a portfolio from work that lowers your cost per lead.

What is included

Everything in a Graphic & Video Designing engagement

Logo and brand identity

A complete identity system — logo lockups, colour, type, usage rules — not a single file. Applied consistently, it is what makes a small operation read as an established one.

Ad creative

Static and video creative sized for each placement, built in variations for testing. Creative is usually the highest-leverage variable in a paid campaign and the one tested least.

Social content design

Templates and finished assets that stay consistent across a posting schedule, so an account looks designed rather than assembled from whatever was to hand.

Website and UI graphics

Custom banners, icons, diagrams and interface graphics built to the site design system, in modern formats that do not undo the site's speed work.

Motion graphics and explainers

Animated explanation for services that are hard to describe in text — a process, a warranty, a comparison. Motion holds attention where a paragraph loses it.

Video editing and production

Short-form reels, promotional video and customer testimonials, cut for the platform they will run on. Testimonial video is the most underused asset most service businesses are sitting on.

How it runs

The process

  1. Brief and goal

    What the asset is for, where it will run, and what it has to achieve. Design without a defined job is decoration, and it gets judged on taste instead of results.

  2. Direction

    Concepts and direction agreed before production, so revisions are about execution rather than restarting. This is the phase that keeps projects from spiralling.

  3. Production

    Built in the formats and sizes each platform actually needs, with source files organised and handed over.

  4. Variations for testing

    Paid creative ships in multiple versions so the campaign can find the winner instead of betting everything on one execution.

  5. Performance review

    For assets running in campaigns, we look at what performed and produce the next round based on that. Creative is iterative or it is guesswork.

What usually goes wrong

The problems we find in graphic & video accounts

A logo in one file and no system

A single JPEG with a white box behind it, no reversed version, nothing that works at favicon size. The result is a brand that looks different in every placement it appears.

Creative that ignores the placement

Landscape video in a vertical feed, text too small on mobile, key information cropped out by the platform. The asset was fine; nobody checked where it was going.

One ad creative, run to exhaustion

Performance decays as an audience sees the same asset repeatedly. Without a refresh cadence, cost per lead climbs steadily and the campaign gets blamed for it.

Stock photos of people who do not work there

Local buyers are choosing between businesses partly on whether you seem real. A stock handshake beside a claim about family ownership actively costs trust.

Graphic & Video Designing questions

Do I need a new logo or just better marketing assets?
Usually the latter, and we will tell you when that is the case. If your logo is recognisable to existing customers and works legibly at small sizes, rebranding is an expensive way to solve a problem you probably do not have. The more common issue is that a workable logo has no system around it — no reversed version, no colour rules, no typeface — so everything produced from it looks slightly different. Building the system around an existing mark costs a fraction of a rebrand and fixes most of what people mean when they say their branding looks inconsistent.
What kind of video actually works for a local service business?
Three types earn their cost consistently. Customer testimonials, because a real person describing the outcome outperforms any claim you make about yourself. Process video showing how a job actually goes, which reduces the anxiety that stops people booking unfamiliar services. And short before-and-afters, which need almost no production and perform reliably across both social and ads. What rarely works is the polished company overview video — expensive, quickly dated, and almost nobody watches it to the end.
How many ad creatives do I need to start a campaign?
Three to five distinct concepts per campaign, each with a couple of variations, is a realistic starting point. Not five colour variants of one idea — genuinely different angles, because you are testing which message resonates rather than which shade of green. Expect one to clearly outperform, and expect that to be the one you did not predict. From there you refresh the winners every four to six weeks, because the same audience seeing the same asset repeatedly is what drives cost per lead upward over a campaign's life.
Will you use our own photos or stock imagery?
Your own, wherever they exist, and we will push hard for that. For trades and home services, real job photography outperforms stock consistently because local buyers are partly assessing whether you are a real operation with real crews. Most contractors are sitting on hundreds of usable photos on their phones without realising it. Where genuine gaps exist we will use licensed stock or arrange a shoot, but we would rather use an imperfect real photo of your actual work than a polished image of somebody else's.

Get creative that earns its place in the budget

Show us the ads and assets you are running now. We will tell you which are working, which are burning budget, and what to produce next.